![]() This ultimately encourages faithful listeners to express their thanks to Jehovah together. The refrain, “Fada Fada eeeeh” is sung by Phyno and a chorus of background vocals, adding another source of collectivity. The various drums, chiming of the xylophone, and electric beats of the song all contribute to a praising and dancing environment. Faith is a very strong way to promote collectivity, as Phyno and Olamide do through the song’s lyrics and instruments. The clear collective of this song is the faithful followers of Jehovah. This Afro-Beat gospel song has an upbeat tempo, matching its message of praise. ![]() Second, at 90 bpm, is “Fada Fada (Ghetto Gospel)” by Phyno featuring Olamide. The song welcomes death in a way that figuratively releases sad emotions, while encouraging the literal release of a loved one. Though the song has no words, its bitter-sweet sound elicits a sad catharsis from the viewers. The beginning notes contain background sounds of birds chirping and wind blowing, and the solemn playing of a bamboo flute, then moves into the minor key playing of the piano. #Similes in pierce the veil songs series#The first and slowest song on the playlist at 75 bpm, “Hokage’s Funeral”, is an instrumental played in a minor key familiar to the collective who’ve watched the anime series “Naruto”. Therefore, using this organization shows the multiple ways that tempo evokes emotions. I chose an ascending bpm organization to show that any emotions that are attached to different tempos of songs are simply a result of social constructs that claim songs of a certain tempo should evoke specific feelings. To demonstrate the way in which collective catharsis can be produced through a variety of genres played at different speeds, the songs of this playlist cover several genres and are organized in ascending beats per minute (bpm). Additionally, my analysis of this playlist uses Tatro’s thinking of collective catharsis to interpret each song.Ĭollective catharsis is produced through the feelings the song elicits from the listeners, and I believe these feelings can be a result of the speed, instrumentation, or key the song uses. In this regard, this playlist explores the different forms of presentation of collective catharsis in different genres and cultures and how this collectivity engages their listeners. In her essay on the Mexico City punk scene, Kelley Tatro terms this emotional release as “collective catharsis”, describing it as means of “producing solidarity” among listeners by providing “a chance to express personal and collective” emotion (2014, 431-432). Music has been used as a medium of expression by artists and a means of emotional release by listeners for hundreds of years. “Misery Business”, Paramore, Riot!, USA, 2007, Alternative.“História Para Ninar Gente Grande”, Marquinho Art’Samba, Sambas De Enredo Das Escolas De Samba 2019, Brazil, 2018, Samba. ![]()
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